Leo Asemota / EoTLA
Leo Asemota / EoTLA
The Ens Project is an ongoing multipartite artwork informed by Igue head ceremony of the Edo people, Victorian modernity and Walter Benjamin’s seminal text on art and advancements in technology.
Phase 1 “First Principles” (2005 - 2008) encompass photographs, sculptures, drawings and performances developed over six stages in appraisal of the project’s reference frame.
Phase 2 (2009 – 2012) relates the transfiguration of a character called “The Handmaiden” in anticipation of Phase 3 “Eo ipso” (on-going) and the live art work that will conclude Asemota’s involvement in the Project.
Installation view of “Connotations”
The Intrinsic Tendency of The Ens SIgn
Bait Khalid Ibrahim, Sharjah
Sharjah Biennial 14: “Leaving The Echo Chamber”
2019
Photo by Leo Asemota / EoTLA
The Ens Project
3
Installation view
The Handmaiden Part 1
Metal at Edge Hill Station, Liverpool
2010
Photo by Mark McNulty
Installation view
The Ens Project’s First Principles
New Art Exchange, Nottingham
2011
Photo by Bartoz Kali